Epstein Secrets

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

use, because this method lacks transparency. While recognizing the impressive achievements in deep learning by colleagues such as Michael Jordan and Geoffrey Hinton, he feels uncomfortable with this kind of opacity. He set out to understand the theoretical limitations of deep-learning systems and points out that

itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

euroscience communities need to interact closely, something that is happening already. Some of today’s greatest exponents of machine learning—such as Geoffrey Hinton, Zoubin Ghahramani, and Demis Hassabis—have backgrounds in cognitive neuroscience, and their success has been at least in part due to attempts to mod

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

use, because this method lacks transparency. While recognizing the impressive achievements in deep learning by colleagues such as Michael Jordan and Geoffrey Hinton, he feels uncomfortable with this kind of opacity. He set out to understand the theoretical limitations of deep-learning systems and points out that

itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

euroscience communities need to interact closely, something that is happening already. Some of today’s greatest exponents of machine learning—such as Geoffrey Hinton, Zoubin Ghahramani, and Demis Hassabis—have backgrounds in cognitive neuroscience, and their success has been at least in part due to attempts to mod