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e Machines, Project Orion, and Turing ’s Cathedral. Peter Galison is a science historian, Joseph Pellegrino University Professor and co- founder of the Black Hole Initiative at Harvard University, and the author of Einstein's Clocks and Poincaré ’s Maps: Empires of Time. Neil Gershenfeld is a physicist and director of MI
of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History
016962 ALGORISTS DREAM OF OBJECTIVITY Peter Galison Peter Galison is a science historian, Joseph Pellegrino University Professor and co- founder of the Black Hole Initiative at Harvard University, and the author of Einstein's Clocks and Poincaré’s Maps: Empires of Time. In his second-best book, the great medieval mathema
of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernat
e Machines, Project Orion, and Turing ’s Cathedral. Peter Galison is a science historian, Joseph Pellegrino University Professor and co- founder of the Black Hole Initiative at Harvard University, and the author of Einstein's Clocks and Poincaré ’s Maps: Empires of Time. Neil Gershenfeld is a physicist and director of MI
of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History
016379 ALGORISTS DREAM OF OBJECTIVITY Peter Galison Peter Galison is a science historian, Joseph Pellegrino University Professor and co- founder of the Black Hole Initiative at Harvard University, and the author of Einstein's Clocks and Poincaré’s Maps: Empires of Time. In his second-best book, the great medieval mathema
of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernat
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