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Doubt and Certainty in Science in which he said that we create tools and we mold ourselves through our use of them. The other text he recommended was Warren Weaver and Claude Shannon’s 1949 paper “Recent Contributions to the Mathematical Theory of Communication,” which begins: “The word communication will be use
nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire
had published a pair of lengthy articles in the Be// System Technical Journal. Introducing the new work to a broad readership in 1949, mathematician Warren Weaver explained that in Shannon’s formulation, “the word information...is used in a special sense that must not be confused with its ordinary usage. In par
and results.” 143 HOUSE_OVERSIGHT_016946 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book
Doubt and Certainty in Science in which he said that we create tools and we mold ourselves through our use of them. The other text he recommended was Warren Weaver and Claude Shannon’s 1949 paper “Recent Contributions to the Mathematical Theory of Communication,” which begins: “The word communication will be use
nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire
had published a pair of lengthy articles in the Be// System Technical Journal. Introducing the new work to a broad readership in 1949, mathematician Warren Weaver explained that in Shannon’s formulation, “the word information...is used in a special sense that must not be confused with its ordinary usage. In par
and results.” 143 HOUSE_OVERSIGHT_016363 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book
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