Epstein Secrets

Doubt and Certainty in Science in which he said that we create tools and we mold ourselves through our use of them. The other text he recommended was Warren Weaver and Claude Shannon’s 1949 paper “Recent Contributions to the Mathematical Theory of Communication,” which begins: “The word communication will be use

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

had published a pair of lengthy articles in the Be// System Technical Journal. Introducing the new work to a broad readership in 1949, mathematician Warren Weaver explained that in Shannon’s formulation, “the word information...is used in a special sense that must not be confused with its ordinary usage. In par

itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

Doubt and Certainty in Science in which he said that we create tools and we mold ourselves through our use of them. The other text he recommended was Warren Weaver and Claude Shannon’s 1949 paper “Recent Contributions to the Mathematical Theory of Communication,” which begins: “The word communication will be use

dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

had published a pair of lengthy articles in the Be// System Technical Journal. Introducing the new work to a broad readership in 1949, mathematician Warren Weaver explained that in Shannon’s formulation, “the word information...is used in a special sense that must not be confused with its ordinary usage. In par

itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P