Epstein Secrets

dopted by Picasso in his own work. Decades later, Picasso and Dubuffet's primal mark-making and uninhibited

at oscillated between abstraction and figuration. Picasso, Calder, and their mutual friend Miró were aligne

-war art across the Atlantic. Miró, Dubuffet, and Picasso had a formative impact on many mid-century vangua

lleries and museums to specially study Dubuffet. Picasso to Rothko: European and American Masters in Dialo

ether in search of visual inspiration. Similarly, Picasso and Dubuffet shared an aesthetic language that os

ubuffet (1901-1985), Mark Rothko (1903-1970), and Jean-Michel Basquiat (1960-1988). A constellation of pivotal artistic

9 © VG Bild-Kunst, Bonn 2019 Photo: Katja Illner Pablo Picasso, Dora and the Minotaur, 1936, © Succession Picass

N - M I C H E L B A S Q U I A T Keith Haring | Jean-Michel Basquiat: Crossing Lines National Gallery of Melbourne, Au

Photo credit: Tom Powel Imaging Keith Haring and Jean-Michel Basquiat at the opening reception for Julian Schnabel at t

alder Foundation, New York / VEGAP, Madrid. Pablo Picasso (188 -1973). Tête de taureau [Bull’s Head]. Paris

N - M I C H E L B A S Q U I A T Keith Haring | Jean-Michel Basquiat: Crossing Lines National Gallery of Melbourne, Au

s reserved. DACS/Artimage 2019. Keith Haring and Jean-Michel Basquiat at the opening reception for Julian Schnabel at t

hibition of important paintings and sculptures by Pablo Picasso, Fernand Léger, Joan Miró, Alexander Calder, Jean

Alexander Calder, Jean Dubuffet, Mark Rothko, and Jean-Michel Basquiat Presented at Sotheby's Palm Beach Jan. 9 - 31,

hibition of important paintings and sculptures by Pablo Picasso, Fernand Léger, Joan Miró, Alexander Calder, Jean

Alexander Calder, Jean Dubuffet, Mark Rothko, and Jean-Michel Basquiat Presented at Sotheby's Palm Beach Until Jan. 31,