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ked. Then they looked for patterns. People were not, they discovered, all that unique. Pretty much everyone who liked Redford in Downhill Racer loved Newman in The Hustler. Anyone who enjoyed Kid A could be directed safely to (). Maes and her team found themselves, as a result, less focused on the mechani

s possible. That Cap’n Crunch thrill, the dream of whistling up control over the thick, helpless trunk of a network, that remains the dream. Remember Conway’s Law: The design and activity and control of a network redounds on, even determines the real world. If the whole network is, in a sense, filled with