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n Turing wondered what it would take for machines to become intelligent. John von Neumann wondered what it would take for machines to self-reproduce. Claude Shannon wondered what it would take for machines to communicate reliably, no matter how much noise intervened. Norbert Wiener wondered how long it wo
d systems—1* order Cybernetics— moved to the Cybernetics of observing systems—2"™ order Cybernetics—or “the Cybernetics of Cybernetics”, as coined by Heinz von Foerster, who joined the Macy conferences in the mid 1950s, and spearheaded the new movement. Cybernetics, rather than disappearing, was becoming metabolized
, “A Scientist Rebels,” Zhe Atlantic Monthly, January 1947. 31 Warren Weaver, “Recent Contributions to the Mathematical Theory of Communication,” in Claude Shannon & Warren Weaver, The Mathematical Theory of Communication (Urbana, IL: University of Illinois Press, 1949), p. 8 (emphasis in original). Shan
ge making, creativity, and the use of programming as artistic tools. The deep connections between science and art had already been noted by the late Heinz von Foerster, one of the architects of cybernetics, who worked with Norbert Wiener from the mid-1940s and in the 1960s founded the field of second-order cyberneti
n Turing wondered what it would take for machines to become intelligent. John von Neumann wondered what it would take for machines to self-reproduce. Claude Shannon wondered what it would take for machines to communicate reliably, no matter how much noise intervened. Norbert Wiener wondered how long it wo
d systems—1* order Cybernetics— moved to the Cybernetics of observing systems—2"™ order Cybernetics—or “the Cybernetics of Cybernetics”, as coined by Heinz von Foerster, who joined the Macy conferences in the mid 1950s, and spearheaded the new movement. Cybernetics, rather than disappearing, was becoming metabolized
, “A Scientist Rebels,” Zhe Atlantic Monthly, January 1947. 31 Warren Weaver, “Recent Contributions to the Mathematical Theory of Communication,” in Claude Shannon & Warren Weaver, The Mathematical Theory of Communication (Urbana, IL: University of Illinois Press, 1949), p. 8 (emphasis in original). Shan
ge making, creativity, and the use of programming as artistic tools. The deep connections between science and art had already been noted by the late Heinz von Foerster, one of the architects of cybernetics, who worked with Norbert Wiener from the mid-1940s and in the 1960s founded the field of second-order cyberneti
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