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printed in: Gross, R.D. (1990) Key Studies in Psychology. London: Hodder & Stoughton Publishers. Shanks, D. (1997). Human Memory: A reader. London: Arnold (NY: St. Martin's Press). p. 91-107. Balota, D.A. & Marsh, E. J. (2004) Cognitive Psychology: Key Readings. NY: Psychology Press. p 309-320 Dale,
d, England & NY: Oxford University Press., p 60-75. . Garry, M. & Loftus, E.F. (2007) Repressed memory. in Clark, D.S. (Ed) Encyclopedia of Law and Society. Thousand Oaks, Ca.: Sage Publishers. p. 1307-1309. Loftus, E. F. & Steinberg, R.L. (2007, March 9). If memory serves. Wall Street Journal, p. A14.(
support over the years. Thanks to my children, Annatrine, Erik, and Tau; my grandchildren; my mother and father; and my brothers, Jack, Allen, and Arnold. xviii EFTA00809984 PREFACE Stanley Rosenberg, an American-born body therapist living in Denmark. This book proposes a new approach to healing
r with the vagus nerve, these were characterized as the "rest and digest" or "feed and breed" system. In 1994, in his presidential lecture for the Society for Psychophysi- ological Research, Stephen Porges introduced his Polyvagal Theory, which he built around a new understanding of the function of the
’s treatment of “information” sounded more like Matthew Arnold in 1869°? than Claude Shannon in 1948—more “body and spirit” than “bit.” Wiener shared Arnold’s Romantic view of the “content producer” as well. “Properly speaking the artist, the writer, and the scientist should be moved by such an irresistib
6 Artificial intelligence was not what artists first wanted out of cybernetics, once Norbert Wiener’s Zhe Human Use of Human Beings: Cybernetics and Society came out in 1950. The range of artists who identified themselves with cybernetics in the fifties and sixties initially had little access to “thinking
’s treatment of “information” sounded more like Matthew Arnold in 1869°? than Claude Shannon in 1948—more “body and spirit” than “bit.” Wiener shared Arnold’s Romantic view of the “content producer” as well. “Properly speaking the artist, the writer, and the scientist should be moved by such an irresistib
6 Artificial intelligence was not what artists first wanted out of cybernetics, once Norbert Wiener’s Zhe Human Use of Human Beings: Cybernetics and Society came out in 1950. The range of artists who identified themselves with cybernetics in the fifties and sixties initially had little access to “thinking
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