Epstein Secrets

one in the same. They were henceforth to be considered as a single circuit. aoelt was only after Afterwards was published in early 1973 that i met Gregory Bateson, Margaret Mead, and Heinz von Foerster,a remarked Brockman. In April of that year, a group that included von Foerster, Bateson, Zen philosopher Ala

nt-garde program at the Poetry Center at the 92nd St Y in New York. Preceding and following Brockman on the program, respectively, were evenings by John Cage and Jorge Luis Borges. This was the era of ficeThe Living Theatre,fi of Antonin AnaudaTMs ficetheatre of cruelty,fi and the management of the Poetry

nce I had an MBA from Colombia Business School, and a series of relative successes in business, I was dragooned into becoming an agent, initially for Gregory Bateson and John Lilly, whose books I sold quickly, and for sums that caught my attention, thus kick-starting my career as a literary agent. I never did mee

self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts people to join him for a series of dinners—an ongoing seminar about media, communications, art, music, a

nce I had an MBA from Colombia Business School, and a series of relative successes in business, I was dragooned into becoming an agent, initially for Gregory Bateson and John Lilly, whose books I sold quickly, and for sums that caught my attention, thus kick-starting my career as a literary agent. I never did mee

self-regulating control, laid out in Norbert Wiener’s foundational text of 1948. I can date my own serious exposure to it to 1966, when the composer John Cage invited me and four or five other young arts people to join him for a series of dinners—an ongoing seminar about media, communications, art, music, a