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a topic absent from a typical computer-science education: the physical configuration of a 118 HOUSE_OVERSIGHT_016338 computation. Von Neumann and Turing posed their questions as theoretical studies, because it was beyond the technology of their day to realize them. But with the convergence of communic
ce in terms of feedback, exploring the cultural rather than engineering uptake of this idea. She begins with primary readings by Wiener, Shannon, and Turing and then pivots from the scientists and engineers to the work and ideas of artists, feminists, postmodern theorists. Her goal: to come up with a new
r, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyon
ning, waiting in the lounge at JFK, I had had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the phone began ringing and a procession
and public space; and fashion designer Miuccia Prada, who “requests your presence for tea this afternoon at Prada headquarters.” And thus, thanks to HUO, did the jet-lagged “great American visionary thinker” stumble and mumble his way through his first day in Milan, November 2011. HUO is sui generis:
a topic absent from a typical computer-science education: the physical configuration of a 118 HOUSE_OVERSIGHT_016921 computation. Von Neumann and Turing posed their questions as theoretical studies, because it was beyond the technology of their day to realize them. But with the convergence of communic
ce in terms of feedback, exploring the cultural rather than engineering uptake of this idea. She begins with primary readings by Wiener, Shannon, and Turing and then pivots from the scientists and engineers to the work and ideas of artists, feminists, postmodern theorists. Her goal: to come up with a new
r, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyon
ning, waiting in the lounge at JFK, I had had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the phone began ringing and a procession
and public space; and fashion designer Miuccia Prada, who “requests your presence for tea this afternoon at Prada headquarters.” And thus, thanks to HUO, did the jet-lagged “great American visionary thinker” stumble and mumble his way through his first day in Milan, November 2011. HUO is sui generis:
at they tend to favor or ignore. Surely (ding!)?, any man who could beat a woman at being perceived to be a woman would be an intelligent agent. What Turing did not foresee is the power of deep-learning AI to acquire this wealth of information in an exploitable form without having to understand it. Turing
the CIRL framework, one can formulate and solve the off-switch problem—that is, the problem of how to prevent a robot from disabling its off-switch. (Turing may rest easier.) A robot that’s uncertain about human preferences actually benefits from being switched off, because it understands that the human w
tum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, L
and an external professor at the Santa Fe Institute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea
at they tend to favor or ignore. Surely (ding!)?, any man who could beat a woman at being perceived to be a woman would be an intelligent agent. What Turing did not foresee is the power of deep-learning AI to acquire this wealth of information in an exploitable form without having to understand it. Turing
the CIRL framework, one can formulate and solve the off-switch problem—that is, the problem of how to prevent a robot from disabling its off-switch. (Turing may rest easier.) A robot that’s uncertain about human preferences actually benefits from being switched off, because it understands that the human w
tum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, L
and an external professor at the Santa Fe Institute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea
onstructed to make sense of the world and our place in it. Consider the developments during the 1930s- 1940s: Godel's Incompleteness Theorems (1931); Turing's "On Computable Numbers, With An Application To The Entscheidungsproblem" (1936); Bateson's theory of "Schismogenesis" in Naven (1936); Rosenblueth
Anca Dragan, George Dyson, Peter Galison, Neil Gershenfeld, Alison Gopnik, Tom Griffiths, Danny Hillis, Caroline A. Jones, David Kaiser, Seth Lloyd, Hans Ulrich Obrist, Judea Pearl, Sandy Pentland, Steven Pinker, Venki Ramakrishnan, Stuart Russell, Jaan Tallin, Max Tegmark, Frank Wilczek, and Stephen Wolfram. Ste
Caroline A. Jones, David Kaiser, Seth Lloyd, Hans Ulrich Obrist, Judea Pearl, Sandy Pentland, Steven Pinker, Ven
-of-ai#25990 Stuart A. Kauffman Professor of Biological Sciences, Physics, Astronomy, University of Calgary; Author; REINVENTING THE SACRED Since Turing and the explosive growth of algorithmic artificial intelligence, many of us think we are machines. I will argue we are surely not machines at all, b
Mullainathan, Nathan Myhrvold, Peter Norvig, Hans Ulrich Obrist, Tim O'Reilly, Larry Page, Bruce Parker, David P
inde, Chiara Marletto, John Markoff, Yuri Milner, Marvin Minsky, Evgeny Morozov, Walt Mossberg, Sendhil Mullainathan, Nathan Myhrvold, Peter Norvig, Hans Ulrich Obrist, Tim O'Reilly, Larry Page, Bruce Parker, David Pescovitz, Steven Pinker, Martin Rees, Douglas Rushkoff, Terrence Sejnowski, Michael Shermer, Clay S
-of-ai#25990 Stuart A. Kauffman Professor of Biological Sciences, Physics, Astronomy, University of Calgary; Author; REINVENTING THE SACRED Since Turing and the explosive growth of algorithmic artificial intelligence, many of us think we are machines. I will argue we are surely not machines at all, b
Mullainathan, Nathan Myhrvold, Peter Norvig, Hans Ulrich Obrist, Tim O'Reilly, Larry Page, Bruce Parker, David P
inde, Chiara Marietta, John Markoff, Yuri Milner, Marvin Minsky, Evgeny Morozov, Walt Mossberg, Sendhil Mullainathan, Nathan Myhrvold, Peter Norvig, Hans Ulrich Obrist, Tim O'Reilly, Larry Page, Bruce Parker, David Pescovitz, Steven Pinker, Martin Rees, Douglas Rushkoff, Terrence Sejnowski, Michael Shermer, Clay S
FTA00698649 Stuart A. Kauffman Professor of Biological Sciences, Physics, Astronomy, University of Calgary; Author; REINVENTING THE SACRED Since Turing and the explosive growth of algorithmic artificial intelligence, many of us think we are machines. I will argue we are surely not machines at all, b
Mullainathan, Nathan Myhrvold, Peter Norvig, Hans Ulrich Obrist, Tim O'Reilly, Larry Page, EFTA00698645 Bruce
inde, Chiara Marletto, John Markoff, Yuri Milner, Marvin Minsky, Evgeny Morozov, Walt Mossberg, Sendhil Mullainathan, Nathan Myhrvold, Peter Norvig, Hans Ulrich Obrist, Tim O'Reilly, Larry Page, EFTA00698645 Bruce Parker, David Pescovitz, Steven Pinker, Martin Rees, Douglas Rushkoff, Terrence Sejnowski, Michael
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