Epstein Secrets

of Psychophysiology.5(33), 201-214 Shimamura, A. P., & Palmer, S. E. (2012). Aesthetic science: connecting minds, brains, and experience. New York: Oxford University Press. Thayer, J. F., & Faith, M. L. (2001). A dynamic systems model of musically induced emotions. Annals of the New York Academy of Sciences, 930(1), 4

and Theater ArtslScience Initiative 2014 Faculty Collaboration Grant Greg Norman, Department of Psychology Berthold Hoeckner, Department of Music Howard Nusbaum, Department of Psychology Introduction The overarching goal of our proposal is to better understand the mechanisms through which actors and musici

mmarized by Steward Elliot Guthrie, who argues "religion is anthropomorphism" in his book Faces in the Clouds: A New Theory of Religion (New York: Oxford University Press, 1993), 178. The most lucid and succinct historical treatment remains Frank E. Manuel, The Eighteenth Century Confronts the Gods (Cambridge: Harv

o report unusual sensory experiences. They would be more able, in short, to experience God. The more quantitative work—done in collaboration with Howard Nusbaum and Ron Thisted--suggests that those who have a proclivity for absorption and who trained that proclivity through prayer are indeed more able to

summarized by Steward Elliot Guthrie, who argues “religion is anthropomorphism” in his book Faces in the Clouds: A New Theory of Religion (New York: Oxford University Press, 1993), 178. The most lucid and succinct historical treatment remains Frank E. Manuel, 7he Fighteenth Century Confronts the Gods (Cambridge: Harvard

ly to report unusual sensory experiences. They would be more able, in short, to experience God. The more quantitative work—done in collaboration with Howard Nusbaum and Ron Thisted--suggests that those who have a proclivity for absorption and who trained that proclivity through prayer are indeed more able to acco