Epstein Secrets

ing in all fields, including Nam June Paik, Andy Warhol, Robert Rauschenberg, Robert Whitman, and Claes O

nematheque and to initiate an Expanded Cinema Festival there. He invited many great New York artists working in all fields, including Nam June Paik, Andy Warhol, Robert Rauschenberg, Robert Whitman, and Claes Oldenburg, to make a work integrating film for a special performance. These activities led to an inv

ed that ficeLife is the theatre of one chance.fi His life and work have been greatly informed by this idea. In 1964, he met the artist and filmmaker Jonas Mekas, who was running the Film-makersaTM Cinematheque for underground cinema. Brockman was already working with underground film- makers, and video artis

Festival), under the auspices of avant-garde filmmaker and impresario Jonas Mekas. They included visual artists Claes Oldenburg, Robert Rauschenberg, Andy Warhol, Robert Whitman; kinetic artists Charlotte Moorman and Nam June Paik; happenings artists Allan Kaprow and Carolee Schneemann; dancer Tricia Brown; fi

Kuchar brothers; avant-garde dramatist Ken Dewey; poet Gerd Stern and the USCO group; minimalist musicians Lamonte Young and Terry Riley; and through Warhol, the music group, The Velvet Underground. Many of these people were reading Wiener, and cybernetics was in the air. It was at one of these dinners th

ltimedia productions called the New Cinema | (also known as the Expanded Cinema Festival), under the auspices of avant-garde filmmaker and impresario Jonas Mekas. They included visual artists Claes Oldenburg, Robert Rauschenberg, Andy Warhol, Robert Whitman; kinetic artists Charlotte Moorman and Nam June Paik;

Festival), under the auspices of avant-garde filmmaker and impresario Jonas Mekas. They included visual artists Claes Oldenburg, Robert Rauschenberg, Andy Warhol, Robert Whitman; kinetic artists Charlotte Moorman and Nam June Paik; happenings artists Allan Kaprow and Carolee Schneemann; dancer Tricia Brown; fi

Kuchar brothers; avant-garde dramatist Ken Dewey; poet Gerd Stern and the USCO group; minimalist musicians Lamonte Young and Terry Riley; and through Warhol, the music group, The Velvet Underground. Many of these people were reading Wiener, and cybernetics was in the air. It was at one of these dinners th

ltimedia productions called the New Cinema | (also known as the Expanded Cinema Festival), under the auspices of avant-garde filmmaker and impresario Jonas Mekas. They included visual artists Claes Oldenburg, Robert Rauschenberg, Andy Warhol, Robert Whitman; kinetic artists Charlotte Moorman and Nam June Paik;