Epstein Secrets

he landed gigs with veteran jazz artists Philly Joe Jones, Sonny Rollins, Slide Hampton and Eric Dolp

o Blue Note, where he recorded Open Sesame, his solo debut, in 1960 at the age of 22. The album, which also featured Tina Brooks and EFTA00721063 McCoy Tyner, marked the launch of one of the most meteoric careers in jazz. Within a year's time, Hubbard followed up with his second and third recordings — Goi

nds, featuring Eric Clapton (guitars and vocals), Joe Sample (piano), David Sanborn (alto sax) and Ste

became a first call session musician, appearing on over 500 albums by such artists as Michael Jackson, Herbie Hancock, Mariah Carey, Wayne Shorter, McCoy Tyner, Frank Sinatra, George Benson, Dr. John, Aretha Franklin, Elton John, Grover Washington, Jr., Donald Fagen, Bill Withers, Chaka Khan, LL Cool J and

s a melodic Brazilian group wi=h Stanley Clarke, Joe Farrell, Airto, and Flora Purim. Within a year, C

late 1960s, he participated in the =irth of the electric jazz fusion movement. In the 1970s he formed Return to Forever. Along with Herbie Hanco=k, McCoy Tyner, and Keith Jarrett, he has been described as one of the major jazz piano voices =o emerge in the post-John Coltrane era. Corea continued to pursue

the Cambridge mathematicians, Mary Cartwright and Joe Littlewood (1945; McMurran, S., Tattersal, J.,199

f /iving in Jesus. Many things about them changed: their tastes in food, from hamburgers to vegetables and fruit; from the jazz of John Coltrane and McCoy Tyner and the cynicism of Frank Zappa’s “...only fourteen and knows how to nasty...,” to playing strum guitar and singing the hymns of Wednesday night heal