nintentionally distracting the listener.) If sonatas are lessons, what are the subjects of those lessons? The answer is in the question! One thing the Fifth Symphony taught us is how to hear those first four notes. The surface form is just de- scending major third, first tone repeated thrice. At first, that patt

itful collaboration which had begun in 1991. The concer= demonstrates the undiminished vitality of this partnership with a rousi=g interpretation of the Fifth Symphony, which for Simon Rattle amounted =o the "effect of a volcanic eruption". WATCH CONCERT <https://send.berliner-philharmoniker.de/t/r-I-jibvyk-=hijIr