ess have started to take notice. Jackson Hurst is "marvelously low-key and sexy"(Film Journal International) and, according to The New York Times, "Rachel Nichols is consistently appealing" while "Philippe Rousselot's nighttime shots of highway tragedy are dreamily atmospheric." The Village Voice highlights t

ss have started to take notice. Jackson Hurst is "marvelously low-key and sexy"(Film Journal International) and, according to The New York Times, "Rachel Nichols is consistently appealing" while "Philippe Rousselot's nighttime shots of highway tragedy are dreamily atmospheric." The Village Voice highlights t