tional depth, as if he was expressing his inner self rather than simply exercising his powers of invention. For those of us still feeling scarred by the Philadelphia Orchestra's opening concert at Carnegie Hall — in which Lang Lang stomped all over a semi-improvised Rhapsody in Blue — this concert brought the art of classic

ional depth, as if he was expressing his inner self rather than simply exercising his powers of invention. For those of us still feeling scarred by the Philadelphia Orchestra's opening concert at Carnegie Hall — in which Lang Lang stomped all over a semi-improvised Rhapsody in Blue — this concert brought the art of classic