riped paintings from 1966 in dialogue with one of Huyghe’s dynamic aquarium ecosystems from 2013, the show

e philosophies of Buren, who was an early mentor, Huyghe surrenders his work to contingency and different

enting Buren’s self-reflexive linear textiles and Huyghe’s evolving ecosystem, the exhibition provides a p

ing law is usually expressed as Gr (Fedor, 1988; Hughes, 1995; Shlesinger, 1996; 210 HOUSE_OVERSIGHT_01