ese script that spells out the process for mixing Kool-Aid. While the visually appealing and sumptuous compo

stallation view of "David Hammons: Basketball and Kool-Aid" at Nahmad Contemporary NEW YORK—David Hammons:

temporary NEW YORK—David Hammons: Basketball and Kool-Aid, an exhibition dedicated to two radical series of

stallation view of "David Hammons: Basketball and Kool-Aid" at Nahmad Contemporary Invoking the material con

d States. As such, the Basketball (1995–2012) and Kool-Aid (2003–07) works explore constructions of race and

ly as a passive object of consumption. Untitled (Kool-Aid), 2006 Kool-Aid on paper with silk curtain and ar