forced these liberal pleading standards in Swier- kiewicz v. Sorema N.A., 534 U.S. 506, 512, 122 S.Ct. 992,

ance, and exhibits art both old and new (from Manet and Cézanne to The Chapmans and Damien Hirst) in a show that promises to prove contentious. Here, Lenkiewicz's own "resequenced" Picassos will be exhibited against their original counterparts, effectively folding art history in upon itself to create an entir