YeahWeFuckDie (2017), about the training of robots in the still-difficult task of keeping balance. But to explain her notion of artificial stupidity, Steyerl refers to a more general phenomenon, like the now widespread use of Twitter bots, noting in our conversation: It was and still is a very popular too

invisible software algorithms visible through images, but to understand and interpret these images better, we should apply the expertise of artists. Steyerl has worked with computer technology for many years, and her recent artworks have explored surveillance techniques, robots, and such computer games as

YeahWeFuckDie (2017), about the training of robots in the still-difficult task of keeping balance. But to explain her notion of artificial stupidity, Steyerl refers to a more general phenomenon, like the now widespread use of Twitter bots, noting in our conversation: It was and still is a very popular too

invisible software algorithms visible through images, but to understand and interpret these images better, we should apply the expertise of artists. Steyerl has worked with computer technology for many years, and her recent artworks have explored surveillance techniques, robots, and such computer games as