ddy’ s—they were satisfied with obtaining the records of Daniel Ellsberg’ s psychiatrist. But | remembered that the first time Alger Hiss confronted Whittaker Chambers, he requested to see his teeth. Hiss explained to me that he suspected Chambers might be someone he had known years before, and he wanted to see his

pecially constructed to resemble—to have the same_ peculiarities as—the typewriter that had actually belonged to Alger Hiss’ s wife, Priscilla. Then Whittaker Chambers hid these “old” 1938 microfilms inside a pumpkin on his pumpkin farm. The trouble was, the Eastman Kodak people stated that the type of film we used