Epstein Secrets

in Hong Kong with his still-valid passport to go to almost any country in the world, includ- ing Cuba (for which a U.S. passport was not necessary), Bolivia, and Ecuador. Yet he did not apply for visas during this time period. Even as late as June 8, after meetings with Greenwald and Poitras, his name had

cktiv- ists that Assange chose him as his keynote speaker replacement at the Hackers on Planet Earth (HOPE) convention in New York City. Assange told Rolling Stone, “Jake [Appelbaum] has been a tireless promoter behind the scenes of our cause.” For its part, Rolling Stone titled its profile of Appelbaum “Meet th

ts sources, it could not be legally compelled to reveal them. “Tor’s importance to WikiLeaks cannot be overstated,” Assange said in an interview with Rolling Stone in 2012. Indeed, without the anonymity provided by its Tor software, WikiLeaks could not have easily entered into a document-sharing arrangement with

onvention in New York City. Assange told Rolling Stone, “Jake [Appelbaum] has been a tireless promoter behind the scenes of our cause.” For its part, Rolling Stone titled its profile of Appelbaum “Meet the Most Dangerous Man in Cyberspace.” (Assange needed a replacement for this particular event because he feare

overed Rocha had been closely tied to Cuba's intelligence agency since a trip to Chile in 1973, with Rocha's actions, including his interference in Bolivia's presidential election to aid a Castro ally, being scrutinized as acts of espionage. The report highlighted the missed opportunities and red flags

ll), Axios (02/15, Falconer), ABC News (02/15, Mallin, Scott, et al.), NBC News (02/15, Reilly, Grumbach, Fitzpatrick), USA Today (02/15, Garrison), Rolling Stone (02/15, Ramirez), The Daily Beast (02/15, Fiallo), The Guardian (02/15, Staff Writer), Washington Times (02/15, Ferrechio), Forbes (02/15, Bohannon

ved as its Editor-in-Chief. “The best comparison for Seed,” wrote a media critic at the time of the magazine’s launch in 2001, “is the early years of Rolling Stone, when music was less a subject than a lens for viewing culture.” Under his leadership, the magazine earned critical acclaim for modernizing scientifi

ul II as a part of the Jubilee 2000 delegation to end third world debt. The delegation’s visit resulted in $27 billion in third world debt relief for Bolivia, Mozambique, and the Ivory Coast. In 2004, in front of alive audience of more than a half-million spectators, Jones launched the We Are the Future i