Epstein Secrets

it must have come from a mosque." Amid such splendor, much of which reflects the work of the French decorator Alberto Pin- to. who has worked for Jacques Chirac and the royal families of Jordan and Saudi Ara- bia. there is one particularly startling oddi- ty: a stuffed black poodle. standing atop the grand

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- mar. "He knows how deals work. ft's what sets him apart. If he wanted to run a studio at some po

it must have come from a mosque: Amid such splendor, much of which reflects the work of the French decorator Alberto Pin- to. who has worked -err Jacques Chirac and the royal families of Jordan and Saudi Ara- bia, there is one particularly startling oddi- ty: a stuffed black poodle. standing atop the grand

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint," says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

it must have come from a mosquc." Amid such splendor, much of which reflects the work of the French decorator .Alberto Pin- to. who has worked for Jacques Chirac and the royal families of Jordan and Saudi Ara- bia. there is one particularly startling oddi• ty: a stuffed black poodle. standing atop the grand

everything he can about how the business works—not just the craft of acting, but from the producing standpoint. from the studio standpoint." says Jon Gordon, at- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to tun a studio at some poin

it must have come from a mosque." Amid such splendor, much of which reflects the work of the French decorator Alberto Pin- to. who has worked for Jacques Chirac and the royal families of Jordan and Saudi Ara- bia. there is one particularly startling oddi- ty: a stuffed black poodle. standing atop the grand

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

ig, it must have come from a mosque." Amid such splendor, much of which reflects the work of the French decorator Alberto Pinto, who has worked for Jacques Chirac and the royal families of Jordan and Saudi Arabia, there is one particularly startling oddity: a stuffed black poo- dle, standing atop the grand pia

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint," says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

it must have come from a mosque" Amid such splendor, much of which reflects the work of the French decorator Alberto Pin- to. who has worked for Jacques Chirac and the royal families of Jordan and Saudi Ara- bia, there is one particularly startling oddi- ty: a stuffed black poodle. standing atop the gran

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po