Epstein Secrets

tival curators giving support and clarity from directors to distributors and helping simple film fans like you and me. Let’s not forget the geniuses, Steven Speilberg, Stephen Daldry, Clint Eastwood, David Fincher, Martin Scorcese and Jason Reitman who have bypassed the festival route. Let the race begin. HOUSE_OV

an Heathcliff, | join Pressman and his cast of The Moth Diaries for lunch at the Excelsior. Jonathan Demme comes by. He is here with the post-Katrina New Orleans-set documentary, I'm Carolyn Parker: The Good, the Mad, and the Beautiful. While housekeeping packs my clothes, | conclude that this is the year Hol

he started work on the music for Sidney Lumet's The Pawnbroker and it was the first of his 33 major motion picture scores. In 1985, he co-produced Steven Spielberg's adaptation of Alice Walker's The Color Purple, which garnered eleven Oscar nominations, introduced Whoopi Goldberg and Oprah Winfrey to film audien

under construction include the Signature Theatre in New York City; the Ohr O'Keefe Museums in Biloxi, Mississippi; the Make it Right Foundation in New Orleans, Louisiana, the Puente de Vida Museum of Biodiversity in Panama; the Frederick R. Weisman Art Museum Expansion at the University of Minnesota; and

or motion picture scores. In 1985, he co-produced Steven Spielberg’s adaptation of Alice Walker’s The Color Purple, wh

ts under construction include the Signature Theatre in New York City; the Ohr O’Keefe Museums in Biloxi, Mississippi; the Make it Right Foundation in New Orleans, Louisiana, the Puente de Vida Museum of Biodiversity in Panama; the Frederick R. Weisman Art Museum Expansion at the University of Minnesota; and th

3, he started work on the music for Sidney Lumet’s The Pawnbroker and it was the first of his 33 major motion picture scores. In 1985, he co-produced Steven Spielberg’s adaptation of Alice Walker’s The Color Purple, which garnered eleven Oscar nominations, introduced Whoopi Goldberg and Oprah Winfrey to film audience