Epstein Secrets

AI—from Alison Gopnik and David Deutsch to Frank Wilczek and Stephen Wolfram— Deep Thinking 1s an ideal in

ry of Brockman’s profound engagement with the most important scientific minds who have been thinking about AI—from Alison Gopnik and David Deutsch to Frank Wilczek and Stephen Wolfram— Deep Thinking 1s an ideal introduction to the landscape of crucial issues AI presents. The collision between opposing perspecti

nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire

AI—from Alison Gopnik and David Deutsch to Frank Wilczek and Stephen Wolfram— Deep Thinking 1s an ideal in

ry of Brockman’s profound engagement with the most important scientific minds who have been thinking about AI—from Alison Gopnik and David Deutsch to Frank Wilczek and Stephen Wolfram— Deep Thinking 1s an ideal introduction to the landscape of crucial issues AI presents. The collision between opposing perspecti

nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire

ied to children and the disabled.*° What prevents extension to other animals, organoids, machines, and hybrids? As we (e.g., Hawking, Musk, Tallinn, Wilczek, Tegmark) have promoted bans on “autonomous weapons,” we have demonized one type of “dumb” machine, while other machines—for instance, those composed

and results.” 143 HOUSE_OVERSIGHT_016946 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book

ied to children and the disabled.*° What prevents extension to other animals, organoids, machines, and hybrids? As we (e.g., Hawking, Musk, Tallinn, Wilczek, Tegmark) have promoted bans on “autonomous weapons,” we have demonized one type of “dumb” machine, while other machines—for instance, those composed

and results.” 143 HOUSE_OVERSIGHT_016363 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book