Epstein Secrets

orwarded message: From: Eric Roth cl Subject: Revision 5 (in green) Date: June 26, 2013 at 5:14:24 PM EDT To: 'Jeffrey Epstein' Cc: 'Ivjet' >, 'Richard Kahn' Jeffrey, Attached is hopefully the final revision. Changes made include the entertainment system and the "cancellation" of Option 18. I can not s

From: Richard Kahn To: "Jeffrey E." Cc: Larry Visoski < > Subject

fully will be a $7,500 profit. I can not be any more honest and transparent than this. If you have connections that can get my daughter Rachel into the University of Michigan, then I would happily reduce the cost of the entertainment system by $7,500. ERIC H. ROTH I PRESIDENT EFTA00678947 P 631.737.5900 I C 516.857.653

is labor cost 246 hours covert to? Thx Sent via BlackBerry by AT&T From: Eric Roth Date: Wed, 26 Jun 11. 1110 =: ' • • " " ' gmail.com»; 'Richard Kahn' Cc: Ilvjet'«= href="mailto:[email protected]" target=11_blanr>[email protected]> Subject: Revision 5 (in =reen) Jeffrey, Attached is hopefully the final

1110 =: ' • • " " ' gmail.com»; 'Richard Kahn' Cc: Ilvjet'«= href="mailto:[email protected]" targe

fully will be = $7,500 profit. I can not be any more honest and transparent=than this. If you have connections that can get my daughter Rachel into=the University of Michigan, then I would happily reduce the cost of the en=ertainment system by $7,500. ERIC H. ROTH I PRE=IDENT ww.intljet.com <http://www.intljet.combtarge

ersity, Tuskegee University, New York University, University of Miami and The American Film Institute, among others. I

Challenge, the Earth Award, and the TED Prize, and sits on the Science Advisory Committee of the World Economic Forum, the External Advisory Board of the University of Michigan’s Risk Science Center, the American Committee of the Weizmann Institute of Science, the Communications Advisory Board of the National Academy of Scienc

of time in the circle of young architects who studied with and worked for the great architect Louis Kahn. In an essay, “Beginnings,” he acknowledges Kahn’s dedication and patience as essential to his notion of the life of an artist. Williams lived for a period in Philadelphia, where he worked for a nu