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urality of voices in the foundation space.*° Bill Gates is probably the most familiar example. He’s decid
particular, sun-scorched, caterpillar-chewed clover found outside your house in an atlas. No, you aimed—if you were a genius natural philosopher like Goethe, Albinus, or Cheselden—to observe nature but then to perfect the object in question, to abstract it visually to the ideal. Take a skeleton, view it t
ing you again and again ata child’s game. Hillis was an artist as much as an inventor - one reason he’d not become Bill Gates or Steve Jobs. (And why Gates and Jobs maintained a consistent, admiring respect for him.) He’d once spent a decade at Disney designing rides or thinking up new dreams as a kind o
ese sacrifices marked sailing adventure. But they knew the rewards for areal mastery of the sea: Fame, riches, knowledge, adventure. Sloterdijk cites Goethe, who reflecting on the power of nautical life in 1787, defined the edgy advantage of that ocean-mapping caste in his age: They had perspective. “No o
urality of voices in the foundation space.*° Bill Gates is probably the most familiar example. He’s decid
particular, sun-scorched, caterpillar-chewed clover found outside your house in an atlas. No, you aimed—if you were a genius natural philosopher like Goethe, Albinus, or Cheselden—to observe nature but then to perfect the object in question, to abstract it visually to the ideal. Take a skeleton, view it t
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