Epstein Secrets

e grows up. ITS THE TRUMAN CAPOTE SHOW TRUMAN Capote, dead for over 20 years, is suddenly a hot property in Hollywood. The author of "Breakfast at Tiffany's" and "In Cold Blood" is the subject of two new biopics - Warner Independent's "Every Word Is True," based on George Plimpton's 1997 oral history,

a house in London," said our source. [TRUMAN CAPOTE], dead for over 20 years, is suddenly a hot property in Hollywood. The author of "Breakfast at Tiffany's" and "In Cold Blood" is the subject of two new biopics - Warner Independent's "Every Word Is True," based on George Plimpton's 1997 oral history, an

s a classic iceberg. What you see is not what you get." ven acquaintances sense a curious dichotomy: les. he lives like a "modern ma- haraja." as Leah Kiernan. one of his art dealers. puts it. Yet he is fastidiously. a4 most obsessively private—he lists himself in the phone book under a pseudonym. He r

matic: says Rosa Monck- ton, the tbrmer C.E.O. of Tiffany & Co. in the C.K. and a close friend since the e

's a classic iceberg. What you see is not what you get.- ven acquaintances sense a curious dichotomy: Yes. he lives like a "modern ma- haraja:' as Leah Kiernan, one of his an dealers. puts it. Yet he is fastidiously, al- most obsessively private—he fists himself in the phone book under a pseudonym. He ra

gmatic," says Rosa Monckton, the former C.E.O. of Tiffany & Co. in the U.K. and a close friend since the e

e's a classic iceberg. What you see is not what you get." Even acquaintances sense a curious dichotomy: Yes, he lives like a "modern maharaja," as Leah Kiernan, one of his art dealers, puts it. Yet he is fastidiously, almost obsessively private-he lists himself in the phone book under a pseudonym. He rarely

matic." says Rosa Mond- ton, the former C.E.O. of Tiffany & Co. in the U.K. and a close friend since the e

s a classic iceberg. What you see is not what you get." wen acquaintances sense a curious dichotomy: Yes. he lives like a "modern ma- haraja.- as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously. al- most obsessively private—he lists himself in the phone book under a pseudonym. He r

matic." says Rosa Mond- ton, the former C.E.O. of Tiffany & Co. in the U.K. and a dose friend since the ea

He's a classic iceberg. What you see is not what you get:' ven acquaintances sense a curious dichotomy: Yes he lives like a "modem ma- haraja: as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously. al- most obsessively private—he lists himself in the phone book under a pseudonym. He r

gmatic," says Rosa Monckton, the former C.E.O. of Tiffany & Co. in the U.K. and a close friend since the e

ten better that people hate me, not the client." "You've probably heard I'm vicious ins my representation of my clients,- he tells people proudly; Leah Kiernan describes his haggling over art prices as something like ; a scene out of the movie Mad Mar Be- yond Thunderdome. Even a former mentor g says he's

atic." says Rosa Monck- ton, the former C.E.O. of Tiffany & Co. in the U.K. and a close friend since the e

's a classic iceberg. What you see is not what you get." en acquaintances sense a curious dichotomy: Yes, he lives like a "modern ma- haraja." as Leah Kiernan, one of his art dealers. puts it. Yet he is fastidiously, al- most obsessively private—he lists himself in the phone book under a pseudonym. He r