Epstein Secrets

een known that Taymor would direct a classic for the not-for- profit=s new home. Shakespeare's romantic comedy-fantasy is set in the woods outsi=e of Athens, where sprites and fairies meddle with the affairs of men and w=men. If history teaches us anything, this Midsummer should be=visually potent: In 1

ience. It was the first play by Shakespeare s=e directed. Goldenthal composed the original music. Taymor and Goldenthal l=ter directed and composed Theatre for a New Audience's productions of Th= Taming of the Shrew, Titus Andronicus and in 1996, Carlo Gozzi's <=>The Green Bird, which transferred to Broadway in 2000. Compo

een known that Taymor would direct a classi= for the not-for- profit's new home. Shakespeare's romantic comedy-fantasy i= set in the woods outside of Athens, where sprites and fairies meddle with t=e affairs of men and women. If history teaches us anything, this =idsummer should be visually potent: In 1

rowitz said in a statement, "Julie and Elliot are bold= innovative, adventurous artists. We first worked together in 1984 on a 60-=inute version for Theatre for a New Audience's A Midsummer Night's Dream=/i> presented at the Public Theater. Twenty-nine years later, it's thrillin= they are directing and composing the first fu

een known that Taymor would direct a classic for the not-for-profit's new home. Shakespeare's romantic comedy-fantasy is set in the woods outside of Athens, where sprites and fairies meddle with the affairs of men and women. If history teaches us anything, this Midsummer should be visually potent: In 1

ience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets; Titus Andronicus and in 1996, Carlo Gozzi's The Green Bird, which transferred to Broadway in 2000. Compose

een known that Taymor would direct a classic for the not-for-profit's new home. Shakespeare's romantic comedy-fantasy is set in the woods outside of Athens, where sprites and fairies meddle with the affairs of men and women. If history teaches us anything, this Midsummer should be visually potent: In 1

ience. It was the first play by Shakespeare she directed. Goldenthal composed the original music. Taymor and Goldenthal later directed and composed Theatre for a New Audience's productions of The Taming of the Shrets; Titus Andronicus and in 1996, Carlo Gozzi's The Green Bird, which transferred to Broadway in 2000. Compose