Epstein Secrets

udience Prize. Their strategy is to say nothing. Do nothing. They have a possible Oscar winner. Four out of five past Best Pictures have premiered in Toronto. Cut to New York City at the end of September. It's the opening night at The Film Society of Lincoln Center. One of America's most important and pro

l and Mark Wahlberg, working together for the third time, sneak "The Fighter" in Manhattan. As their audience erupts in cheers, I tell producer/actor Wahlberg, "Clint Eastwood is going to kill himself for not directing this." Wahlberg says, "You are wrong. He turned it down because he's done it. He has seen

udience Prize. Their strategy was to say nothing, do nothing. They have a possible Oscar winner—four out of five past Best Pictures have premiered in Toronto. Cut to New York City at the end of September. It’s opening night at The Film Society of Lincoln Center. One of America’s most important and prolif

ce Prize. Mid-November: David O. Russell and Mark Wahlberg sneak The Fighter in Manhattan. As their audience erupts in cheers, I tell producer/actor Wahlberg, “Clint Eastwood is going to kill himself for not directing this.” He says, “Youre wrong. He turned it down because he’s done it. He’s seen it and he

ence Prize. Their strategy was to say nothing, do nothing. They have a possible Oscar winner—four out of five past Best Pictures have premiered in Toronto. Cut to New York City at the end of September. It's opening night at The Film Society of Lincoln Center. One of America's most important and prol

Prize. Mid-November: David O. Russell and Mark Wahlberg sneak The Fighter in Manhattan. As their audience erupts in cheers, I tell producer/actor Wahlberg, "Clint Eastwood is going to kill himself for not directing this." He says, "You're wrong. He turned it down because he's done it. Hc's seen it an

ience Prize. Their strategy is to say nothing. Do nothing. They have a possible Oscar winner. Four out of five past Best Pictures have premiered in Toronto. Cut to New York City at the end of September. It's the opening night at The Film Society of Lincoln Center. One of America's most important and p

and Mark Wahlberg, working together for the third time, sneak "The Fighter" in Manhattan. As their audience erupts in cheers, I tell producer/actor Wahlberg, "Clint Eastwood is going to kill himself for not directing this." Wahlberg says, "You are wrong. He turned it down because he's done it. He has se