Epstein Secrets

cused more of his energies on teaching, and worked diligently to make jazz and its history a legitimate part of the college curriculum. He taught at Rutgers, Hampton, New York University, and Howard in the late '60s, and the last one remained a steady association for much of the '7os. In the meantime, B

tation as a solid stylist with a clean tone, clear articulation, and a knack for melodicism. Toward the end of the '60s, Byrd became fascinated with Miles Davis' move into fusion, and started recording his own forays into the field. In the early '70s, with the help of brothers Larry and Fonce Mizell, Byrd pe

han, El Pais, La Vox de Galicia or The Scotsman. Ms. Pato is Doctor of Musical Arts in Collaborative Piano from the Mason Gross School of the Arts, Rutgers University (NJ, USA), where she studied with a fellowship from Fundacion Barrie de la Maza. She was awarded with the Edna Mason Scholarship and th

and hip hop musical traditions; while his 1993 recording of the critically acclaimed Miles and Quincy Live At Montreux, featured Quincy conducting Miles Davis' live performance of the historic Gil Evans arrangements from the Miles Ahead, Porgy and Bess and Sketches of Spain sessions, garnered a Grammy Awa

cused more of his energie= on teaching, and worked diligently to make jazz and its history a legitimate p=rt of the college curriculum. He taught at Rutgers, Hampton, New York Universi=y, and Howard in the late '60s, and the last one remained a steady associa=ion for much of the '70s. In the meantime, By

tation as a solid stylist with a clean tone, clear articulation, and a knack for melodicism. Toward th= end of the '60s, Byrd became fascinated with Miles Davis' move into fusion, and started recording hi= own forays into the field. In the early '70s, with the help of brothers Lar=y and Fonce Mizell, Byrd per