Epstein Secrets

cused more of his energies on teaching, and worked diligently to make jazz and its history a legitimate part of the college curriculum. He taught at Rutgers, Hampton, New York University, and Howard in the late '60s, and the last one remained a steady association for much of the '7os. In the meantime, B

le simultaneously remaining a jazz artist. He recorded prolifically as both a leader and sideman from the mid-'5os into the mid-'6os, most often for Blue Note, where he established a reputation as a solid stylist with a clean tone, clear articulation, and a knack for melodicism. Toward the end of the '60s

han, El Pais, La Vox de Galicia or The Scotsman. Ms. Pato is Doctor of Musical Arts in Collaborative Piano from the Mason Gross School of the Arts, Rutgers University (NJ, USA), where she studied with a fellowship from Fundacion Barrie de la Maza. She was awarded with the Edna Mason Scholarship and th

, Herbie was discovered by trumpeter Donald Byrd. After two years of session work with Byrd as well as Phil Woods and Oliver Nelson, he signed with Blue Note as a solo artist. His 1963 debut album, 'Takin' Off', was an immediate success, producing the hit "Watermelon Man." In 1963, Miles Davis invited H

cused more of his energie= on teaching, and worked diligently to make jazz and its history a legitimate p=rt of the college curriculum. He taught at Rutgers, Hampton, New York Universi=y, and Howard in the late '60s, and the last one remained a steady associa=ion for much of the '70s. In the meantime, By

e simultaneously remain=ng a jazz artist. He recorded prolifically as both a leader and sideman from the mid -'50s into the mid-'60s, m=st often for Blue Note, where he established a reputation as a solid stylist with a clean tone, clear articulation, and a knack for melodicism. Toward th= end of the '60s

60, Herbie was discovered by trumpeter Donald Byrd. After two years of session work with Byrd as well as Phil Woods and Oliver Nelson, he signed with Blue Note as a solo artist. His 1963 debut album, ‘Takin’ Off’, was an immediate success, producing the hit “Watermelon Man.” In 1963, Miles Davis invited Her

imes, El Pais, La Voz de Galicia or The Scotsman. Ms. Pato is Doctor of Musical Arts in Collaborative Piano from the Mason Gross School of the Arts, Rutgers University (NJ, USA), where she studied with a fellowship from Fundacion Barrie de la Maza. She was awarded with the Edna Mason Scholarship and the I