Epstein Secrets

re often obscure figures derided by all the other critics. He stood alone. The Marschner is beautiful opera and a crucial link between Beethoven and Wagner. So I stand in the Quixotic defense of works that are worth it--even if they are not as good as others. Music does not follow Darwinian patterns (a

t goers do not like lectures and never go; some can't and won't make it. And we did the Cage because Bard is the home of the Cage Archive, a gift of Merce Cunningham. Otherwise I would have skipped the idea. I have the sense of fighting my worst enemies in a a shadow way, not openly, and I surely have them. I am

re often obscure figures derided by all the other critics. He stood alone. The Marschner is beautiful opera and a crucial link between Beethoven and Wagner. So I stand in the Quixotic defense of works that are worth it--even if they are not as good as others. Music does not follow Darwinian patterns (a

t goers do not like lectures and never go; some can't and won't make it. And we did the Cage because Bard is the home of the Cage Archive, a gift of Merce Cunningham. Otherwise I would have skipped the idea. I have the sense of fighting my worst enemies in a a shadow way, not openly, and I surely have them. I am

re often obscure figures derided by all the other critics. He stood alone. The Marschner is beautiful opera and a crucial link between Beethoven and Wagner. So I stand in the Quixotic defense of works that are worth it--even if they are not as good as others. Music does not follow Darwinian patterns (a

t goers do not like lectures and never go; some can't and won't make it. And we did the Cage because Bard is the home of the Cage Archive, a gift of Merce Cunningham. Otherwise I would have skipped the idea. I have the sense of fighting my worst enemies in a a shadow way, not openly, and I surely have them. I am

re often obscure figures derided by all the other critics. He stood alone. The Marschner is beautiful opera and a crucial link between Beethoven and Wagner. So I stand in the Quixotic defense of works that are worth it--even if they are not as good as others. Music does not follow Darwinian patterns (a

t goers do not like lectures and never go; some can't and won't make it. And we did the Cage because Bard is the home of the Cage Archive, a gift of Merce Cunningham. Otherwise I would have skipped the idea. I have the sense of fighting my worst enemies in a a shadow way, not openly, and I surely have them. I am

e often obscure figures derided by all the other critics. He stood alone. The Marschner is beautiful opera and a crucial link between Beethoven and Wagner. So I stand in the Quixotic defense of works that are worth it--even if they are not as good as others. Music does not follow Darwinian patterns (a

goers do not like lectures and never go; some can't and won't make it. And we did the Cage because Bard is the home of the Cage Archive, a gift of Merce Cunningham. Otherwise I would have skipped the idea. I have the sense of fighting my worst enemies in a a shadow way, not openly, and I surely have them. I am