Epstein Secrets

ere at. Time's texture changes, but you don't miss a tick.... Does it bother you that sexuality, once the driving force of art, has been suppressed? Modigliani the last erotic painter; de Kooning a farcial encore; Giacommetti, whose early sadist surrealist pieces turn into a view of women as immovable obst

stein <[email protected]> To:' Subject: Re: Date: Mon, 07 Dec 2009 14:54:12 +0000 the lay them on their side On Mon, Dec 7, 2009 at 9:38 AM, David Gelemter < > wrote: Fair enough. (Int thought: thanks.) But the double-concave lines of shin & aleph, in a sense the "most important" letters, are beautifu

ere at. Time's texture changes, but you don't miss a tick.... Does it bother you that sexuality, once the driving force of art, has been suppressed? Modigliani the last erotic painter; de Kooning a farcial encore; Giacommetti, whose early sadist surrealist pieces turn into a view of women as immovable obst

6:04:49 +0000 or abstract the openess of some of the letters. tsadeh as dancing girl, khaf as a stroke in a Kline. On Mon, Dec 7, 2009 at 10:53 AM, David Gelemter > wrote: Actually did that once. Thinking about the curves just as curves, like the curves of a well-designed car (say aston db9, ferarri califomi

re at. Time's texture changes, but you don't miss a tick.... Does it bother you that sexuality, once the driving force of art, has been suppressed? Modigliani EFTA_R1_00194685 EFTA01821460 the last erotic painter; de Kooning a farcial encore; Giacommetti, whose early sadist surrealist pieces turn into

Subject: Re: or abstract the openess of some of the letters. tsadeh as dancing girl, khaf as a stroke in a Kline. On Mon, Dec 7, 2009 at 10:53 AM, David Gelemter •: a> wrote: Actually did that once. Thinking about the curves just as curves, like the curves of a well- designed car (say aston db9, fcrarri cali

re at. Time's texture changes, but you don't miss a tick.... Does it bother you that sexuality, once the driving force of art, has been suppressed? Modigliani the last erotic painter; de Kooning a farcial encore; Giacommetti, whose early sadist surrealist pieces turn into a view of women as immovable obst

12/7/2009 5:04:37 PM Subject: Re: i understand, the corsets can be off to the sides of the canvass„ free yourself On Mon, Dec 7, 2009 at 11:54 AM, David Gelemter wrote: but these strokes are different from kline just b/c they have boundaries -- restraints -- corsets -- & therefore, tension. On Mon, Dec 7, 2

ere at. Times texture changes, but you don't miss a tick.... Does it bother you that sexuality, once the driving force of art, has been suppressed? Modigliani the last erotic painter; de Kooning a farcial encore; Giacommetti, whose early sadist surrealist pieces turn into a view of women as immovable obst

To: From: Jeffrey Epstein Sent Mon 12/7/2009 5:14:23 PM Subject: Re: their beauty can be felt. On Mon, Dec 7, 2009 at 12:13 PM, David Gelemter ‹ > wrote: right, but corsets have their place too (Pm told they're coming back--?) (Will leave you alone, sorry -- I retract that.) On Mon, Dec 7