Epstein Secrets

ere at. Times texture changes, but you don't miss a tick.... Does it bother you that sexuality, once the driving force of art, has been suppressed? Modigliani the last erotic painter; de Kooning a farcial encore; Giacommetti, whose early sadist surrealist pieces turn into a view of women as immovable obst

To: Fran: Jeffrey Epstein Sent Mon 12/7/2009 2:54:12 PM Subject Re: the lay them on their side On Mon, Dec 7, 2009 at 9:38 AM, David Gelernter < > wrote: Fair enough. (Int thought: thanks.) But the double-concave lines of shin & aleph, in a sense the "most important" letters, arc beautifu

re at. Time's texture changes, but you d=n't miss a tick.... Does it bother you that sexuality, once the driving force of art, has b=en suppressed? Modigliani the last erotic painter; de Kooning a farcial=encore; Giacommetti, whose early sadist surrealist pieces turn into a view=of women as immovable obst

onsider focusing on =he negative spaces between the hebrew letters much more erotic a bul=ing shma, or throbbing ka On Mon, Dec 7,=2009 at 8:56 AM, David Gelernter < <mailto wrote: > > Language as a=matter of binding forces, words as atoms (or hadrons), sentences as molecu=es or chains, paragraphs as more c

re at. Time's texture changes, but you d=n't miss a tick.... Does it bother you that sexuality, once the driving force of art, has b=en suppressed? Modigliani the last erotic painter; de Kooning a farcial=encore; Giacommetti, whose early sadist surrealist pieces turn into a view=of women as immovable obst

From: Sent: To: Subject: the lay them on their side Jeffrey Epstein <[email protected]> 2:54 PM Re: On Mon, Dec 7,=2009 at 9:38 AM, David Gelernter <c m> wrote: Fair enough. (Int thought: thanks.) But the double-concave lines of s=in & aleph, in a sense the "most important" letters, are bea=ti