Epstein Secrets

J. Cohen < IIIMIM<mailto:a> wrote: Just last night I was reading an interview with my former teacher, Leonard Bernstein, where he was saying that Mozart was all about resolving into the dominant. Ending a piece on a diminished 9th would be very cool. Would not invoke much finality, but would be origi

t. He hand picked a few students to teach. He didn't pick me. I told him he made a mistake. He agreed. I accompanied him to a mixing session of his Marilyn Home recording of Carmen on Deutsche Gramophone. He was the most brilliant musician imaginable. Very patient teacher, but didn't hesitate to say when he

tly BERNSTEIN= ? how when how lucky On Sat, Aug 19, 2017 at 10:18 AM, Barry J. Cohen rote: Just last night I was reading an interview with my at Mozart was all about resolving into the=dominant. Ending a piece on a diminished 9th would be very cool. Would no= invoke much finality, but would be orig

t. He hand picked a few students to te=ch. He didn't pick me. I told him he made a mistake. He agreed. I accompanied him to a mixing session of his Marilyn Home recording of Car=en on Deutsche Gramophone. He was the most brilliant musician imaginable= Very patient teacher, but didn't hesitate to say when he

M, Barry J. Cohen < mailt= » wrote: Just last night I was reading an interview with my former teacher, Leonard =ernstein, where he was saying that Mozart was all about resolving into the=dominant. Ending a piece on a diminished 9th would be very cool. Would no= invoke much finality, but would be orig

t. He hand picked a few students to te=ch. He didn't pick me. I told him he made a mistake. He agreed. I accompanied him to a mixing session of his Marilyn Home recording of Car=en on Deutsche Gramophone. He was the most brilliant musician imaginable= Very patient teacher, but didn't hesitate to say when he