Epstein Secrets

J. Cohen < IIIMIM<mailto:a> wrote: Just last night I was reading an interview with my former teacher, Leonard Bernstein, where he was saying that Mozart was all about resolving into the dominant. Ending a piece on a diminished 9th would be very cool. Would not invoke much finality, but would be origi

ucky On Sat, Aug 19, 2017 at 10:18 AM, Barry J. Cohen < IIIMIM<mailto:a> wrote: Just last night I was reading an interview with my former teacher, Leonard Bernstein, where he was saying that Mozart was all about resolving into the dominant. Ending a piece on a diminished 9th would be very cool. Would not invoke

ate: Sat, 19 Aug 2017 14:18:29 +0000 Just last night I was reading an interview with my former teacher, Leonard Bernstein, where he was saying that Mozart was all about resolving into the dominant. Ending a piece on a diminished 9th would be very cool. Would not invoke much finality, but would be origi

[email protected]> Subject: Re: [External] Date: Sat, 19 Aug 2017 14:18:29 +0000 Just last night I was reading an interview with my former teacher, Leonard Bernstein, where he was saying that Mozart was all about resolving into the dominant. Ending a piece on a diminished 9th would be very cool. Would not invoke

helonious Monk, and I haven't heard anybody yet who has come after him." Born in Chicago in 1940, Herbie was a child piano prodigy who performed a Mozart piano concerto with the Chicago Symphony Orchestra at age 11. He began playing jazz in high school, initially influenced by Oscar Peterson and Bil

decided to continue his musical education by studying with Nadia Boulanger, the legendary Parisian tutor to American expatriate composers such as Leonard Bernstein and Aaron Copeland. To subsidize his studies he took a job with Barclay Disques, Mercury's French distributor. Among the artists he recorded in Eur

Thelonious Monk, and I haven’t heard anybody yet who has come after him.” Born in Chicago in 1940, Herbie was a child piano prodigy who performed a Mozart piano concerto with the Chicago Symphony Orchestra at age 11. He began playing jazz in high school, initially influenced by Oscar Peterson and Bill E

ncy decided to continue his musical education by studying with Nadia Boulanger, the legendary Parisian tutor to American expatriate composers such as Leonard Bernstein and Aaron Copeland. To subsidize his studies he took a job with Barclay Disques, Mercury’s French distributor. Among the artists he recorded in Europ