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helonious Monk, and I haven't heard anybody yet who has come after him." Born in Chicago in 1940, Herbie was a child piano prodigy who performed a Mozart piano concerto with the Chicago Symphony Orchestra at age 11. He began playing jazz in high school, initially influenced by Oscar Peterson and Bil
ur, and author. He co-founded Thinking Machines Corporation, a company that developed the Connection Machine, a parallel supercomputer designed by Hillis at MIT. He is also co-founder of the Long Now Foundation, Applied Minds, Metaweb Technologies, Applied Proteomics, and author of The Pattern on the
st unimaginable amounts of computing power - but what emerges is a subtle, lively kind of insight. A machine with a representational understanding of Mozart's 41 symphonies can write you an extremely convincing 424 - or, if you wish, an even earlier First Symphony based on what it knows about his evolutio
short drive over the Hollywood Hills from Los Angeles, and headed off for rural Texas for a few days that would largely defined by rock and dynamite. Hillis, who was born in 1956, has spent most of his life working at the electron level of the world, crafting some of the most significant computer processi
Thelonious Monk, and I haven’t heard anybody yet who has come after him.” Born in Chicago in 1940, Herbie was a child piano prodigy who performed a Mozart piano concerto with the Chicago Symphony Orchestra at age 11. He began playing jazz in high school, initially influenced by Oscar Peterson and Bill E
Page: HOUSE_OVERSIGHT_017541 →neur, and author. He co-founded Thinking Machines Corporation, a company that developed the Connection Machine, a parallel supercomputer designed by Hillis at MIT. He is also co-founder of the Long Now Foundation, Applied Minds, Metaweb Technologies, Applied Proteomics, and author of The Pattern on the
Page: HOUSE_OVERSIGHT_017542 →Hillis’ Connection Machine design into commercial parallel supercomputers, and to explore computational pathways to building artificial intelligence. Hillis’ ambitions are represented by the company’s motto: “We’re building a machine that will be proud of us,” and Hillis’ parallel architecture was to be t
Page: HOUSE_OVERSIGHT_017542 →Entities connected to both Mozart and Hillis

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