Epstein Secrets

st Freed Man" in The Collected Poems of Wallace Stevens (New York: Alfred A. Knopf, 1967), p. 205. aceTo be without description of to be.fi A A 14. Stevens, ficeNotes Toward a Supreme Fiction,fi Ibid., p. 389. ficeThe final elegance ... plainly to propound" A A 51 Stevens, aceThe Sail of Ulysses" in Op

nding Media: The Extensions of Man (New York: McGraw-Hill Book Company, 1964), p.26. keEffect involves the . . . of information movement.' A A A 9. Stuart Brand, correspondence. AceAll thataTMs traceably ... except through effects.' A A J.. Heinz von Foerster, aceLogical Structure of Environment and Its Inte

out of this rapidly emerging field. I asked the essayists to consider: (a) The Zen-like poem “Thirteen Ways of Looking at a Blackbird,” by Wallace Stevens, which he insisted was “not meant to be a collection of epigrams or of ideas, but of sensations.” It is an exercise in “perspectivism,” consisting of

window into the cold room. Wiping it off, I saw “the” computer. I fell in love. Later, in the Fall of 1967, I went to Menlo Park to spend time with Stewart Brand, whom I had met in New York in 1965 when he was a satellite member of the USCO group of artists. Now, with his wife Lois, a mathematician, he was pre

out of this rapidly emerging field. I asked the essayists to consider: (a) The Zen-like poem “Thirteen Ways of Looking at a Blackbird,” by Wallace Stevens, which he insisted was “not meant to be a collection of epigrams or of ideas, but of sensations.” It is an exercise in “perspectivism,” consisting of

window into the cold room. Wiping it off, I saw “the” computer. I fell in love. Later, in the Fall of 1967, I went to Menlo Park to spend time with Stewart Brand, whom I had met in New York in 1965 when he was a satellite member of the USCO group of artists. Now, with his wife Lois, a mathematician, he was pre