Epstein Secrets

rockmanaTMs un-book. Von FoersteraTMs appreciation of BrockmanaTMs writing is not a surprise. While Brockman began writing his trilogy in 1966, von Foerster led a movement that began in 1968 to develop ace2nd order cybemetics,a or ficethe cybernetics of cybemetics.a Von Foerster wrote in 1973: a brain i

d to initiate an Expanded Cinema Festival there. He invited many great New York artists working in all fields, including Nam June Paik, Andy Warhol, Robert Rauschenberg, Robert Whitman, and Claes Oldenburg, to make a work integrating film for a special performance. These activities led to an invitation from leading

ounded the field of second-order cybernetics, in which the observer is understood as part of the system itself and not an external entity. I knew von Foerster well, and in one of our many conversations, he offered his views on the relation between art and science: I’ve always perceived art and science as c

illy Kliiver brought artists together with engineers in a series of events, and in 1967 he founded the Experiments in Art and Technology program with Robert Rauschenberg and others. In London, at around the same time, Barbara 149 HOUSE_OVERSIGHT_016952 Stevini and John Latham, of the Artist Placement Group, took th

ounded the field of second-order cybernetics, in which the observer is understood as part of the system itself and not an external entity. I knew von Foerster well, and in one of our many conversations, he offered his views on the relation between art and science: I’ve always perceived art and science as c

illy Kliiver brought artists together with engineers in a series of events, and in 1967 he founded the Experiments in Art and Technology program with Robert Rauschenberg and others. In London, at around the same time, Barbara 149 HOUSE_OVERSIGHT_016369 Stevini and John Latham, of the Artist Placement Group, took th