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CLOUTIER,GEORGE A BOARDMAN,D DIXON FOSTER,WILLIAM O MILLER,PRISCILLA C YOUNG,
CLOUTIER,GEORGE A BOARDMAN,D DIXON FOSTER,WILLIAM O MILLER,PRISCILLA C YOUNG,
GOLDFARB,GENE PECORI,HELEN W DOWELL,ANTHONY W FOSTER,RIDGLEY M SNIDER,E
ounded the field of second-order cybernetics, in which the observer is understood as part of the system itself and not an external entity. I knew von Foerster well, and in one of our many conversations, he offered his views on the relation between art and science: I’ve always perceived art and science as c
spectacular, she says, “they might have a larger influence on art,” because they provide artists with further possibilities in their creative work. McDowell added that he, too, believes there are false expectations around AI. “Tve observed,” he said, “that there’s a sort of magical quality to the idea of
ounded the field of second-order cybernetics, in which the observer is understood as part of the system itself and not an external entity. I knew von Foerster well, and in one of our many conversations, he offered his views on the relation between art and science: I’ve always perceived art and science as c
spectacular, she says, “they might have a larger influence on art,” because they provide artists with further possibilities in their creative work. McDowell added that he, too, believes there are false expectations around AI. “Tve observed,” he said, “that there’s a sort of magical quality to the idea of
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