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.F. (1988). Degree of detail of eyewitness testimony and mock juror judgments. Journal of Applied Social Psychology, 18, 1171-1192. Schooler, J.W., Foster, R.A., & Loftus, E.F. (1988). Some deleterious consequences of the act of recollection. Memory and Cognition, 16, 243-251. 14 EFTA00073083 Loftu
ifornia State Univ. Psychology Research Fair, San Marcos, CA(Keynote) West Virginia State Bar Assn, Morgantown, WV New York Skeptics Society, NY (Isaac Asimov Lecture Award) Northwest Cognition Conference, Victoria, B.C. (Keynote) Iowa Public Defender's Annual Meeting, Dubuque, IO West Virginia Public
eagan—his motivation was to impress actress Jodie Foster so she would go out bowling with him--yet he was
n’ s friend for six years. Of course, I’ ve known him for eighteen years.” The moderator of the roast, film critic Digby Diehl, read a telegram from Isaac Asimov, which concluded, “Kick him in the balls—signed, Frank Sinatra.” Onstage, Asimov’ s_ fellow science-fiction writer Robert Silverberg announced that
ounded the field of second-order cybernetics, in which the observer is understood as part of the system itself and not an external entity. I knew von Foerster well, and in one of our many conversations, he offered his views on the relation between art and science: I’ve always perceived art and science as c
nal aptitude is suppressed in deference to the mediocre lowest common denominator of society. Thought experiments like John Searle’s Chinese Room and Isaac Asimov’s Three Laws of Robotics all appeal to the sorts of intuitions plaguing human brains that Daniel Kahneman, Amos Tversky, and others have demonstrated.
ounded the field of second-order cybernetics, in which the observer is understood as part of the system itself and not an external entity. I knew von Foerster well, and in one of our many conversations, he offered his views on the relation between art and science: I’ve always perceived art and science as c
nal aptitude is suppressed in deference to the mediocre lowest common denominator of society. Thought experiments like John Searle’s Chinese Room and Isaac Asimov’s Three Laws of Robotics all appeal to the sorts of intuitions plaguing human brains that Daniel Kahneman, Amos Tversky, and others have demonstrated.
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