Epstein Secrets

hin the guitar world. Except if, like George Gruhn, you know better. The 71-year-old Nashville dealer has sold guitars to Eric Clapton, Neil Young, Paul McCartney and Taylor Swift. Walking through NAMM with Gruhn is like shadowing Bill Belichick at the NFL Scouting Combine. There is great love for the product

te blues — Clapton, Jeff Beck, Keith Richards — as well as the theatrics of the guitar-smashing Pete Townshend and the sonic revolutionary Hendrix. McCartney saw Hendrix play at the Bag ONails club in London in 1967. He thinks back on those days fondly and, in his sets today, picks up a left-handed Les Pa

nly make an executive available for an interview on one condition: "He cannot discuss financials or politics under any circumstances." (No thanks.) Richard Ash, the chief executive of Sam Ash, the largest chain of family-owned music stores in the country, isn't afraid to state the obvious. "Our customers a

s owner Ted Leonsis, and other owners of Washington's sports teams. Among the many newsmakers she has interviewed: Legendary singer and songwriter Paul McCartney, Colombian novelist Gabriel Garcia Marquez, Nobel Prize winner Henry Kissinger, former British Prime Minister Tony Blair and Benjamin Arellano Fel

f time in the circle of young architects who studied with and worked for the great architect Louis Kahn. In an essay, "Beginnings," he acknowledges Kahn's dedication and patience as essential to his notion of the life of an artist. Williams lived for a period in Philadelphia, where he worked for a

al’s owner Ted Leonsis, and other owners of Washington’s sports teams. Among the many newsmakers she has interviewed: Legendary singer and songwriter Paul McCartney, Colombian novelist Gabriel Garcia Marquez, Nobel Prize winner Henry Kissinger, former British Prime Minister Tony Blair and Benjamin Arellano Felix,

of time in the circle of young architects who studied with and worked for the great architect Louis Kahn. In an essay, “Beginnings,” he acknowledges Kahn’s dedication and patience as essential to his notion of the life of an artist. Williams lived for a period in Philadelphia, where he worked for a nu