Epstein Secrets

oth films are sensational and movie goers go nuts, but it is "The King's Speech" that edges out the competition for The Audience Prize. Mid-November David ©O. Russell and Mark Wahlberg, working together for the third time, sneak "The Fighter" in Manhattan. As their audience erupts in cheers, I tell producer/actor w

ional war is in full swing. Harvey screens his film for the older voters. Everything is done by the books. Budgets are limited. He sends screenwriter David Seidler and Tom Hoooper to every corner of the country doing qta’s till they are blue in the face from "finding their voice." SAG voters begin seeing the fil

n is instantly the hot nominee for Best Actress. Both films are sen- sations, but it’s The King’s Speech that wins The Audience Prize. Mid-November: David O. Russell and Mark Wahlberg sneak The Fighter in Manhattan. As their audience erupts in cheers, I tell producer/actor Wahlberg, “Clint Eastwood is going to kil

r team of 15 and conducts strategy meetings 7 days a week, including Christmas. They’re like a Chinese restaurant: always open. He sends screenwriter David Seidler and Tom Hooper to every corner of the country doing Q&As until they are both blue in the face from “finding their voice.” SAG voters begin seeing the

Both films are sensational and movie goers go nuts, but it is "The King's speech" that edges out the competition for The Audience Prize. Mid-November David O. Russell and Mark wahlberg, working together for the third timelint Eastwood is sneak "The Fighter" in Manhattan. As their audience erupts in cheers, I tell p

come like a Chinese Restaurant... always open. film for the older voters. Everything is done by the books. Budgets are limited. He sends screenwriter David Seidler and Tom Hoooper to every corner of the country doing ata's till they are blue in the face from "finding their voice. SAG voters begin seeing the film

is instantly the hot nominee for Best Actress. Both films are sen- sations, but it's The King's Speech that wins The Audience Prize. Mid-November: David O. Russell and Mark Wahlberg sneak The Fighter in Manhattan. As their audience erupts in cheers, I tell producer/actor Wahlberg, "Clint Eastwood is going to

eam of 15 and conducts strategy meetings 7 days a week, including Christmas. They're like a Chinese restaurant: always open. He sends screenwriter David Seidler and Tom Hooper to every corner of the country doing Q&As until they are both blue in the face from "finding their voice." SAG voters begin seeing

hlberg says, "You are wrong. He turned it down because he's done it. He has seen it and he loves it." I instantly lavish my affection and praise on David O. Russell, who becomes my new Clint Eastwood. Christian Bale and Melissa Leo are hailed the supporting actors to beat. "True Grit" directed by the Coen Broth

s, Cameron Diaz, Gwyneth Paltrow and Renee Zellweger and Bradley Cooper boogie til dawn. A winner's work is never done. Colin Firth, Tom Hooper and David Seidler show up at 4:30am at The Four Seasons Hotel for a live broadcast on The Today Show with Meredith Vieira. Functioning on an adrenalin rush, they are

oth films are sensational and movie goers go nuts, but it is "The King's Speech" that edges out the competition for The Audience Prize. Mid-November David O. Russell and Mark Wahlberg, working together for the third time, sneak "The Fighter" in Manhattan. As their audience erupts in cheers, I tell producer/actor W

ional war is in full swing. Harvey screens his film for the older voters. Everything is done by the books. Budgets are limited. He sends screenwriter David Seidler and Tom Hoooper to every corner of the country doing g+ta's till they are blue in the face from "finding their voice." SAG voters begin seeing the fi