Epstein Secrets

et City, Susan Stroman's "The Blue Necklace" from Double Feature, Twyla Tharp's The Beethoven Seventh, Christopher Wheeldon's An American in Paris, Carousel (A Dance), Evenfall, Morphoses, and Variations Serieuses. Woetzel also originated roles in ballets by Kevin O'Day, Richard Tanner, and Lynne Taylo

Fieldston School, graduating in 1969. Katzenberg began his career as an assistant to producer David Picker, then in 1974 he became an assistant to Barry Diller, the Chairman of Paramount Pictures. Diller moved Katzenberg to the marketing department, followed by other assignments within the studio, until he

began his career as an assistant to producer David Picker, then in 1974 he became an assistant to Barry Diller, the Chairman of Paramount Pictures. Diller moved Katzenberg to the marketing department, followed by other assignments within the studio, until he was assigned to revive the Star Trek franc

ples that had arisen during the Abraham Lincoln, Barry Goldwater, Ronald Reagan and Calvin Coolidge era

experience. Her own Philadelphia childhood was an exercise in intellectual development. “Other families took their kids to see The Sound of Music or Carousel; we saw Racine ’s Phaedra and Samuel Beckett’s Endgame,” she has recalled. “Our family read Henry Fielding’s 18th-century novel Joseph Andrews out lo

, Dead Imagine (1991), for example, had no moving parts: He/she was comprised of pure signals, flickering projections on flat surfaces. In her setup, Barry commented on the alienating effects of late-20th-century technology. The image of an androgynous head fills an enormous cube made of ten-foot-square

experience. Her own Philadelphia childhood was an exercise in intellectual development. “Other families took their kids to see The Sound of Music or Carousel; we saw Racine ’s Phaedra and Samuel Beckett’s Endgame,” she has recalled. “Our family read Henry Fielding’s 18th-century novel Joseph Andrews out lo

, Dead Imagine (1991), for example, had no moving parts: He/she was comprised of pure signals, flickering projections on flat surfaces. In her setup, Barry commented on the alienating effects of late-20th-century technology. The image of an androgynous head fills an enormous cube made of ten-foot-square