Epstein Secrets

the verbal sparring flames into private warfare. As Beatrice and Benedick, Maggie Siff (brilliant as Kate last season in Shrew) and Jonathan Cake (Jason in Medea opposite Fiona Shaw) collide in a vivid dance of contrasts. One is British, the other American, one sophisticated, the other rough-edged—

venues) RSVP to James Lynes, Capital Campaign Director (212) 229-2819 x 29 or jlvnesetfana.org Sponsored by Deloitte Much Ado About Nothing A tin Arbus, who has directed critically acclaimed productions of Othello, Macbeth and The Taming of the Shrew for Theater for a New Audience stages Shakespea

the verbal sparring flames into private warfare. As Beatrice and Benedick, Maggie Siff (brilliant as Kate last season in Shrew) and Jonathan Cake (Jason in Medea opposite Fiona Shaw) collide in a vivid dance of contrasts. One is British, the other American, one sophisticated, the other rough-edged—

Please Join Us for Any Performance Running now through April 6, 2013 The Duke on 2" Street Sponsm f d by Deloitte. Much Ado About Nothing A rin Arbus, who has directed critically acclaimed productions of Othello, Macbeth and The Taming of the Shrew for Theater for a New Audience stages Shakespea

ou and I are too wise to woo peaceably," says Benedick. And, oh, what a Benedick! For those who have seen Cake only in more serious roles, such as Jason in Medea, this warm and generous turn will come as a revelation and delight. Even beneath a bushy beard, he is a remarkably mobile and expressive a

spotlight. Many actors do fine work—Amendt as fickle Claudio, Elizabeth Meadows Rouse as perky maid Ursula—but others, occasionally left adrift by Arbus, are still finding their footing. It scarcely matters, though, since Cake's confident, outsize high jinks operate as a kind of grounding force. He p

ou and I are too wise to woo peaceably," says Benedick. And, oh, what a Benedick! For those who have seen Cake only in more serious roles, such as Jason in Medea, this warm and generous turn will come as a revelation and delight. Even beneath a bushy beard, he is a remarkably mobile and expressive a

spotlight. Many actors do fine work—Amendt as fickle Claudio, Elizabeth Meadows Rouse as perky maid Ursula—but others, occasionally left adrift by Arbus, are still finding their footing. It scarcely matters, though, since Cake's confident, outsize high jinks operate as a kind of grounding force. He p