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all Americans have at least heard of it. But we've in our own work showed that in fact there is no single public. There are multiple publics within the United States. In fact, what we've identified are six Americas. BILL MOYERS: Six Americas? ANTHONY LEISEROWITZ: Six different Americas that each respond to this
own work showed that in fact there is no single public. There are multiple publics within the United States. In fact, what we've identified are six Americas. BILL MOYERS: Six Americas? ANTHONY LEISEROWITZ: Six different Americas that each respond to this issue in very different ways and need different
mate Change January 4, 2013 BILL MOYERS: Welcome. So as you know, we avoided the cliff, at least for the moment. But only for the moment. A bigger Grand Canyon looms ahead, in about two months, as the government reaches its debt ceiling and can't borrow any more money. President Obama wants to lift that ce
r 20 years, and in America for twenty years. But in 1960, after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzerl
ry best in America, to its rich intellectual life and to its easygoing, good-natured atmosphere. I immersed myself in its great libraries and its Grand Canyon. I worked in the laboratories of its zoological museums. I acquired more friends than I ever had in Europe, My books-- old books and new ones-- fou
r 20 years, and in America for twenty years. But in 1960, after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzer
ery best in America, to its rich intellectual life and to its easygoing, good-natured atmosphere. I immersed myself in its great libraries and its Grand Canyon. I worked in the laboratories of its zoological museums. I acquired more friends than I ever had in Europe, My books-- old books and new ones-- fou
enty years. But in 1960, EFTA_R1_00451235 EFTA01969775 after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzer
ry best in America, to its rich intellectual life and to its easygoing, good-natured atmosphere. I immersed myself in its great libraries and its Grand Canyon. I worked in the laboratories of its zoological museums. I acquired more friends than I ever had in Europe, My books-- old books and new ones-- fou
r 20 years, and in America for twenty years. But in 1960, after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzer
ery best in America, to its rich intellectual life and to its easygoing, good-natured atmosphere. I immersed myself in its great libraries and its Grand Canyon. I worked in the laboratories of its zoological museums. I acquired more friends than I ever had in Europe, My books-- old books and new ones-- fou
r 20 years, and in America for twenty years. But in 1960, after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzer
ery best in America, to its rich intellectual life and to its easygoing, good-natured atmosphere. I immersed myself in its great libraries and its Grand Canyon. I worked in the laboratories of its zoological museums. I acquired more friends than I ever had in Europe, My books-- old books and new ones-- fou
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