Epstein Secrets

r 20 years, and in America for twenty years. But in 1960, after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzerl

esently at work on any new project? Good question, as they say on the lesser screen. I have just finished correcting the last proofs of my work on Pushkin's Eugene Onegin-- four fat little volumes which are to appear this year in the Bollingen Series; the actual translation of the poem occupies a smal

r 20 years, and in America for twenty years. But in 1960, after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzer

esently at work on any new project? Good question, as they say on the lesser screen. I have just finished correcting the last proofs of my work on Pushkin's Eugene Onegin-- four fat little volumes which are to appear this year in the Bollingen Series; the actual translation of the poem occupies a smal

enty years. But in 1960, EFTA_R1_00451235 EFTA01969775 after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzer

esently at work on any new project? Good question, as they say on the lesser screen. I have just finished correcting the last proofs of my work on Pushkin's Eugene Onegin-- four fat little volumes which are to appear this year in the Bollingen Series; the actual translation of the poem occupies a smal

r 20 years, and in America for twenty years. But in 1960, after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzer

esently at work on any new project? Good question, as they say on the lesser screen. I have just finished correcting the last proofs of my work on Pushkin's Eugene Onegin-- four fat little volumes which are to appear this year in the Bollingen Series; the actual translation of the poem occupies a smal

r 20 years, and in America for twenty years. But in 1960, after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzer

esently at work on any new project? Good question, as they say on the lesser screen. I have just finished correcting the last proofs of my work on Pushkin's Eugene Onegin-- four fat little volumes which are to appear this year in the Bollingen Series; the actual translation of the poem occupies a smal