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r 20 years, and in America for twenty years. But in 1960, after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzerl
the masses, and so forth. Although I do not care for the slogan "art for art's sake"-- because unfortunately such promoters of it as, for instance, Oscar Wilde and various dainty poets, were in reality rank moralists and didacticists-- there can be no question that what makes a work of fiction safe from la
r 20 years, and in America for twenty years. But in 1960, after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzer
the masses, and so forth. Although I do not care for the slogan "art for art's sake"-- because unfortunately such promoters of it as, for instance, Oscar Wilde and various dainty poets, were in reality rank moralists and didacticists-- there can be no question that what makes a work of fiction safe 10 EFT
enty years. But in 1960, EFTA_R1_00451235 EFTA01969775 after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzer
the masses, and so forth. Although I do not care for the slogan "art for art's sake"-- because unfortunately such promoters of it as, for instance, Oscar Wilde and various dainty poets, were in reality rank moralists and didacticists-- there can be no question that what makes a work of fiction safe from la
r 20 years, and in America for twenty years. But in 1960, after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzer
the masses, and so forth. Although I do not care for the slogan "art for art's sake"-- because unfortunately such promoters of it as, for instance, Oscar Wilde and various dainty poets, were in reality rank moralists and didacticists-- there can be no question that what makes a work of fiction safe 10 EFT
r 20 years, and in America for twenty years. But in 1960, after the success of Lolita, you moved to France and Switzerland and have not returned to the U. S. since. Does this mean, despite your self-identification as an American writer, that you consider your American period over? I am living in Switzer
the masses, and so forth. Although I do not care for the slogan "art for art's sake"-- because unfortunately such promoters of it as, for instance, Oscar Wilde and various dainty poets, were in reality rank moralists and didacticists-- there can be no question that what makes a work of fiction safe 10 EFT
Entities connected to both United States and Oscar Wilde

Jeffrey Epstein
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Marc Rich
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Michael Douglas
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Glenn Dubin
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Maine
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Michael Milken
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Western Europe
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St. Petersburg
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Croatia
LOCATIONSouthwest
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Browning
PERSON
Siberia
LOCATION
Eugene
PERSONMatt Borges
PERSONRiviera
ORGANIZATION
Hemingway
PERSONConrad
PERSON
Annapolis
LOCATIONValerie
PERSON
Sherlock Holmes
PERSON