Epstein Secrets

500 159.889 100% NARROWS ROUSSEL, KER-XAVIER La Clolat 5.000 14.000 14,000 9.000 168669 100% NARROWS RUSKIN. JOHN Spur of Ravine Shaft. Venice 6.504 16.000 16.000 9.496 178.385 100% NARROWS CONSTABLE, JOHN A View in Borrowdale 70.363 80.000 80.000 9.638 188.002 100% NARROWS

200.000 200,000 125,000 3.352.401 100% NARROWS TIEPOLO. GIOVANNI BA A Moorish Nobleman L 170.340 300,000 . 300.000 129.660 3.482,061 100% National Gallery V NARROWS AVERY, MILTON Beach Umbrellas 17.000 150.000 150,000 133.000 3,615,061 100% NARROWS REDON, ODILON La chule de Phaeton 363.000

500 159.889 100% NARROWS ROUSSEL, KER-XAVIER La Clolat 5.000 14.000 14,000 9.000 168669 100% NARROWS RUSKIN. JOHN Spur of Ravine Shaft. Venice 6.504 16.000 16.000 9.496 178.385 100% NARROWS CONSTABLE, JOHN A View in Borrowdale 70.363 80.000 80.000 9.638 188.002 100% NARROWS

200.000 200,000 125,000 3.352.401 100% NARROWS TIEPOLO. GIOVANNI BA A Moorish Nobleman L 170.340 300,000 . 300.000 129.660 3.482,061 100% National Gallery V NARROWS AVERY, MILTON Beach Umbrellas 17.000 150.000 150,000 133.000 3,615,061 100% NARROWS REDON, ODILON La chule de Phaeton 363.000

n with the co-curator Victoria Golembiovskaya (by whom I was fascinated because she was instrumental in manoeuvring a submarine in the grand canal in Venice), I began to think about the notion of quality in the 21st century as opposed to the set of values pursued by Marsilio Ficino. The dislocation and de

utside a tent in Regent's Park is one measure of the extent to which the capital's art scene now triangulates itself around Frieze. There are others. The National Gallery's new exhibition of works by the 18th century Venetian artist Canaletto has coincided with Frieze this week; the merry-go-round of satellite exhibition